Divergence: Exploring Monochromatic Abstraction: Cat Spilman, Carsten Beck, and Beñat

The exhibition aims to delve into the psychological nuances of black and white, emphasising the divergence of emotions, perceptions, and perspectives within this seemingly simple colour palette.

The choice of monochrome abstraction serves as a metaphor for life's inherent duality, inviting viewers to contemplate the interplay of light and shadow, clarity and obscurity, and the equilibrium within imbalance. Each artist and artwork have been carefully selected to embody the spectrum of divergent emotions and psychological dialogues encapsulated within the dichotomy of black and white. From the most stark and rigid shapes to purely fluid abstracted forms.

Presenting these pieces together in the show aims to explore the emotional spectrum that black and white evokes individually and in juxtaposition to one another. From the stark intensity of pure black to the pristine serenity of white, the artworks will depict the divergence of emotions, inviting viewers to reflect on the complex interplay between light and darkness within the human psyche, whilst proposing psychological questions about what black and white represents and how it is interpreted.

The artworks on display combine to investigate the impact of monochrome abstraction on visual perception. How does the absence of colour influence the way we interpret and engage with the artwork? By challenging conventional notions of depth and form, the exhibition aims to stimulate conversations around subjective perspectives and the fluidity of perception. Examining contrast, balance and the cognitive associations, the artworks on display encourage viewers to contemplate the symbolic weight of monochrome and its potential to trigger diverse psychological responses. 

The exhibition presents 3 artists who all share many similarities through their use of paint on canvas as their preferred medium and their dominant palette of black and white - yet present their aesthetic in totally different ways. Does their method of abstraction have a psychological bearing?

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