Lily Ramírez is a Los Angeles-based painter whose practice emerges from the lived experience of the city, unfolding as a sustained enquiry into memory, movement and place. Her work is informed by early encounters with the cartographic logic of Southern California, particularly Thomas Guides and the freeway systems of Los Angeles, where navigation became an intimate form of spatial understanding. These formative experiences continue to shape her visual language, in which mapping operates as both structure and memory.

Working predominantly in acrylic, Ramírez constructs her paintings through layered and repetitive mark-making, building surfaces that accumulate over time. Lines intersect and reconfigure, forming dense, shifting fields that suggest urban grids, pathways and fragmented terrains. Rather than offering fixed representations, her compositions operate as unstable cartographies, where geography, infrastructure and recollection are held in constant negotiation.

At the core of her practice is an interest in the tension between abstraction and structure. Aerial perspectives of cities and landscapes inform her approach, where built environments and natural forms can appear simultaneously ordered and dissolving. From this vantage point, her paintings hover between diagrammatic clarity and painterly abstraction, reflecting how different neighbourhoods and landscapes carry distinct identities shaped by density, vegetation, colour and development.